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TikTok profiting from Syrian refugees plight: Report_我的网站

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TikTok profiting from Syrian refugees plight: Report_我的网站

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一 |     London, Oct 12 (UNI) Refugee families in Syrian camps are begging for donations on TikTok while the company takes up to 70 per cent of the proceeds, a BBC investigation has found.

Children are livestreaming on the social media app for hours, pleading for digital gifts with a cash value.

The BBC saw streams earning up to $1,000 (£900) an hour, but found refugees received only a tiny fraction of that.

TikTok said it would take prompt action against "exploitative begging", the BBC report said.

The company said this type of content was not allowed on its platform, and it said its commission from digital gifts was significantly less than 70 per cent. But it declined to confirm the exact amount.

Earlier this year, TikTok users saw their feeds fill with livestreams of refugee families in Syrian camps, drawing support from some viewers and concerns about scams from others.

In the camps in north-west Syria, the BBC found that the trend was being facilitated by so-called "TikTok middlemen", who provided families with the phones and equipment to go live.

The middlemen said they worked with agencies affiliated to TikTok in China and the Middle East, who gave the families access to TikTok accounts. These agencies are part of TikTok's global strategy to recruit livestreamers and encourage users to spend more time on the app, the BBC said.

The gifts they're asking for are virtual, but they cost the viewers real money and can be withdrawn from the app as cash. Livestream viewers send the gifts - ranging from digital roses, costing a few cents, to virtual lions costing around $500 - to reward or tip creators for content.

For five months, the BBC followed 30 TikTok accounts broadcasting live from Syrian refugee camps and built a computer program to scrape information from them, showing that viewers were often donating digital gifts worth up to $1,000 an hour to each account.

Families in the camps said they were receiving only a tiny fraction of these sums, however, the BBC report said.

TikTok influencer and ex-professional rugby player Keith Mason donated $330 during one family's livestream and encouraged his nearly one million followers to do the same.

When told by the BBC that most of these funds were taken by the social media company, Mason said it was "ridiculous" and "unfair" to families in Syria.

"You've got to have some transparency. To me, that's very greedy. It's greed," he said.

TikTok's rules say you must have 1,000 followers before you can go live, you must not directly solicit for gifts and must "prevent the harm, endangerment or exploitation" of minors on the platform.

After the BBC contacted TikTok directly for comment, the company banned all of the accounts.

It said in a statement: "We are deeply concerned by the information and allegations brought to us by the BBC, and have taken prompt and rigorous action.

"This type of content is not allowed on our platform, and we are further strengthening our global policies around exploitative begging."

TikTok, the world's fastest-growing social media app, has made more than $6.2 billion in gross revenue from in-app spending since its launch in 2017, according to analytics company Sensor Tower.

UNI ING。            距离暑假结束还有不到一周的时间,2026年暑期档进入倒计时。作为全年跨度最长的档期,暑期档往往是爆款频出的黄金时期,今年影视市场却呈现出“冰火两重天”,电影院线热度回升,剧集市场却遭遇前所未有的冷清。

二 | 据统计,近七成长剧出现了阶段性无广告“裸播”的现象,行业进入更加审慎理性的阶段。从类型来看,长剧市场告别了古偶独大的旧格局,悬疑冒险与现实主义正剧逆势突围,成为今夏剧集市场的两大亮点。古偶“退潮”谁撑起了暑期档?        古偶剧遇冷        “爆款公式”失灵        暑期档从6月开启,近三个月时间里,已有20余部国产剧上线播出,其中偶像剧,尤其是古偶剧占据半壁江山。前哨战由《翘楚》《莫离》《云秀行》打响,7月《千香》《百花杀》《雀骨》紧随其后,8月《御廷谣》《花开锦绣》《师兄太稳健》上线,古偶剧密集上新,覆盖了重生、权谋、仙侠等多个细分类型。       看上去热闹非凡,却并未真正转化为观众的追剧热情。往年暑期档曾诞生《长相思》《墨雨云间》《星汉灿烂》《苍兰诀》等多部爆款剧,今年的古偶剧不仅口碑和热度平平,招商更是遇冷,近七成剧集在播出中后段出现了阶段性无广告的“裸播”状态。       细看这些古偶剧的配置,高人气流量演员、热门IP、平台S级以上评级,几乎集齐了“爆款公式”的所有要素。《莫离》《翘楚》《百花杀》三部S+级剧集,主演白鹿、陈都灵、孟子义皆是手握爆款作品的流量小花,《莫离》更有执导过《三生三世十里桃花》《花千骨》的林玉芬坐镇。然而,豪华配置并未兑换成预期中的热度与口碑。       根据云合数据,三部剧热播期集均有效播放量最高的是《百花杀》1954万,对比2025年暑期档播出的《书卷一梦》,该剧集均播放量超3100万,热度可谓锐减。《莫离》集均有效播放量仅为1841万;《翘楚》站内热度破万,但豆瓣评分仅5.1分,“短剧化”节奏让该剧逻辑跳跃,反派集体降智、巧合推进剧情,权谋线还被观众嘲讽为“宝宝权谋”。

三 |        S级古偶剧的集体失灵远不止于此。《云秀行》豆瓣评分3.8,《御廷谣》豆瓣4.9,评分在暑期档剧集中倒数。

四 | 重生、复仇、先婚后爱、权谋博弈等叙事元素在这些剧中反复排列组合,古偶剧的内容差异被不断稀释,“爆款公式”失灵只是时间问题。       民国偶像剧《这一秒,过火》双平台预约破千万、招商破亿,但剧中用AI生成的片段却引发集体吐槽。在一片溃败中,现代偶像剧《爱情有烟火》低开高走,凭口碑将A级体量剧播出了S级的效果;中小成本古偶剧《雀骨》零宣发空降,用纯原创剧本、剧情合逻辑等基本功拿到豆瓣6.9分,在流水线作品中替古偶剧争了口气。       类型剧突围        悬疑、冒险跑出“黑马”        当古偶剧集体失守,类型剧在创新和系列化探索中保持着稳定的吸引力,以多线叙事、纪实风格、荒诞喜剧等多元表达留住了观众,其中,悬疑剧、冒险型剧扛起了暑期档长剧的口碑和热度。

五 | 由《开端》《边水往事》导演“算”执导的《悬案》豆瓣评分稳定在7.6分,是暑期档评分最高的国产剧,剧集以纪实感顺时叙事呈现两起跨越22年的悬案,服化道、年代质感、案件尺度均在线。       《昨夜将至》靠“中女”杀出重围,集均播放量达到2334万,热度在暑期档长剧中名列前茅。该剧讲述面馆老板韩栋与妻子林美月看似安稳的日常之下各自埋藏着不愿被人知晓的过往。

六 | 此外,《蝉》《人鱼》《凛冬下的罪恶》等悬疑剧虽然没有出圈,但在受众范围内依然有着不错的讨论度。       暑期档最大的惊喜来自南派三叔,其打造的“盗墓笔记宇宙”集中发力,两部奇幻冒险剧均取得了不错的成绩。

七 | 6月11日,盗墓笔记南洋分支的前传作品《南部档案》上线,开播9天全网正片播放量突破3亿,其间因盗版资源泄漏,南派三叔本人上节目控诉热度被分流,引发了广泛热议,最终该剧集均拿下1920万。       7月30日播出的《九门》开播仅50小时站内热度破万,以往《盗墓笔记》IP产出的爆款影视剧不少,《九门》前作《老九门》就是其中之一,《九门》在创作层面让陈伟霆再演张大佛爷,让《终极笔记》里饰演吴邪的曾舜晞继续演吴邪的爷爷吴老狗,导演柏杉是《唐朝诡事录》系列的主创,最终播出数据和反响都不错,云合市占率一度达30.4%断层领跑,也是暑期档唯一一部市占率超过30%的剧集。       正剧扛鼎        现实题材撑起门面        今年暑期档还有一个值得注意的亮点是,正剧稳住了长剧市场的口碑底盘。回顾2025年暑期档,《生万物》以市占率46.1%稳坐年度剧王之列,今年虽未出现同等热度的现象级正剧,但多部作品以扎实口碑守住了品质底线。       其中,6月播出的医疗剧《问心2》延续温暖现实主义基调,加入年轻专培医生的视角,在一个个治病救人的案例中完整展现医生的成长之路,豆瓣评分7.5分稳居国产医疗剧第一梯队。当代军旅剧《兵自风中来》凭借硬核的演训战斗和紧凑热血的叙事节奏吸引了大批军旅爱好者收看,该剧CSM全国网收视峰值破2.3%;历史题材剧《江海潮生》生动再现了清末状元实业家张謇在南通深耕实业、大兴教育、普惠民生的救国实践。       《重器》是暑期档热度最高的正剧,该剧由沈严执导、赵冬苓编剧,黄景瑜、蒋奇明、于和伟等主演。故事始于1979年,围绕五位法学毕业生的司法生涯展开,以十余桩改编自真实卷宗的案件回溯几代法律人为推进法治进步所付出的巨大努力,展现中国法治的发展进程。猫眼专业版显示该剧收视率峰值突破2.64%,豆瓣开分8.7,最终稳定在7.4分。       从市场反响来看,今年暑期档表现出色的剧集,无论是正剧还是类型剧,都摒弃了悬浮叙事与戏剧化噱头。现实主义正剧更以扎实的剧本和敏锐的现实观照,抬升了长剧品质的天花板。

八 | 可以预见的是,长剧正在逐渐告别流量时代,观众不再为“顶配阵容”买单,更愿意为好故事停留。

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